Design Portfolio


412 Toe


Brand Identity & storefront signage design

 

A row of illuminated storefront signs and awnings on a white building facade at night.

Preface

412Toe is a Pittsburgh-based sneaker resale business specializing in highly sought-after footwear. The name merges “412,” Pittsburgh’s area code, with “Toe,” referencing sneaker culture and the front profile of a shoe.


I was responsible for designing the logo and creating a visual identity strong enough to live both digitally and physically on a storefront sign.


This project required balancing cultural relevance with real-world fabrication constraints.


Concept & Identity Strategy

The primary goal was to create a mark that felt:

  • Bold and street-driven
  • Instantly recognizable
  • Scalable for merchandise and signage
  • Rooted in Pittsburgh identity


Rather than using literal shoe illustrations, the concept centered around typography as structure.


The “412” numerals were layered and intersected with the word “TOE,” creating a stacked, overlapping composition. This intersection subtly mirrors sneaker layering — panels, stitching, overlays — without being overly literal.


The design uses a strong serif typeface to add weight and permanence. This was intentional. Sneaker culture moves fast, but the brand needed to feel established.

Typography & Compositional Decisions

The most distinctive feature is the diagonal “1” slicing through the composition. That diagonal introduces motion, energy, and tension — all qualities associated with streetwear and sneaker drops.


The oval badge version was developed to:

  • Increase logo containment
  • Improve readability on signage
  • Create a cohesive storefront presence
  • Enhance balance when fabricated as a dimensional sign


The black-and-white palette reinforces versatility and ensures maximum contrast in both print and physical materials.

Black and white oval-shaped car brand badges or emblems arranged in a horizontal row.

From Vector to Physical Signage

This project extended beyond digital design into real-world production.


The logo was fabricated into a dimensional storefront sign, requiring:

  • Vector precision for CNC cutting
  • Stroke consistency for routing
  • Proper spacing for raised lettering
  • Contrast planning for outdoor visibility


Seeing the design mounted on a building transformed it from branding to infrastructure. The logo now functions as a physical landmark within the city.



Time lapse photos showing the fabrication process of a large dimensional black and white sign panel on a workbench.